John Altman is reporting Gerald Wilson's passing on the West Coast Jazz list and (unfortunately) his information is usually pretty good.
Great Icon Gerald Wilson RIP
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- moldyfigg
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Re: Great Icon Gerald Wilson RIP
Goodbye to a certified jazz genius and a very nice person with many thanks.
I think I just about every disc he made with his band
Several years ago we sat with Gerald and his wife at the West Coast Jazz Party and listened to Juggernaut. We had a great visit including his gripe about Stan Kenton swiping his intro for Artistry In Rhythm..
I think I just about every disc he made with his band
Several years ago we sat with Gerald and his wife at the West Coast Jazz Party and listened to Juggernaut. We had a great visit including his gripe about Stan Kenton swiping his intro for Artistry In Rhythm..
Bright moments
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Re: Great Icon Gerald Wilson RIP
50's, 60's, 21st Century [2009]
- bluenoter
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Re: Great Icon Gerald Wilson RIP
The title of Eric Dolphy's tune "G.W." refers to and honors him.
R.I.P., Gerald Wilson
R.I.P., Gerald Wilson
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Re: Great Icon Gerald Wilson RIP
such sad news
He made such great music, and so many opportunities for cats.
Such a lovely man, as well. He's probably already leading one of those great Big Bands in the Sky. Can't imagine him resting...
He made such great music, and so many opportunities for cats.
Such a lovely man, as well. He's probably already leading one of those great Big Bands in the Sky. Can't imagine him resting...
- moldyfigg
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Re: Great Icon Gerald Wilson RIP
Mistake alert. The intro to Yard Dog Mazurka was stolen by Kenton in Intermission Riff. Gerald was in the trumpet chair along with Snooky Young in the Lunceford band.
Bright moments
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Re: Great Icon Gerald Wilson RIP
Statement issued by the NEA on the passing of Gerald Wilson
It is with great sadness that the National Endowment for the Arts acknowledges the passing of trumpeter, composer, arranger, bandleader, and educator Gerald Wilson, recipient of a 1990 NEA Jazz Masters fellowship, the nation's highest honor in jazz. Gerald Wilson's use of multiple harmonies is a hallmark of his big bands, earning him a reputation as a leading composer and arranger. Wilsons fiery method of conducing his orchestras, even into his 90s, was always a highlight of his live performances. His band was one of the greats in jazz, leaning heavily on the blues but integrating other styles. Wilson continued to compose major works into his 90s, including Monterey Moods, which was commissioned for the 50th anniversary of the Monterey Jazz Festival and supported through an NEA grant.
In a 2006 interview with the NEA, Wilson described his education as a composer:"Well, after I went through all of the different phases of music that I wanted to write -- I wanted to write for other artists, singers, and I wanted to write for the movies, wanted to write for television, and eventually my ultimate goal at that time was to be able to write for symphony orchestras. My band was very successful during this period. It was 1945 and '46. I had made my first records and I had been very successful with them and I was out on the road. Actually, at the time that I decided that I was going to stop to study some more, Ella Fitzgerald and I were a team. We were playing in a big nightclub in St. Louis together where we broke all records together. And so it was there that I realized that I'm booked way up. I'm booked up for about a year and money that I had never thought of, you know, $100,000 worth of contracts, and I said, 'This is not it. I want to go somewhere else.' And I said, 'The only thing that's going to get me there is to start studying again.'
"So that's what I did. I disbanded my band after that engagement. Everyone said, 'Well, you know, Gerald, he's kind of flaky, you know, and everything, he's crazy or something.' And I said, 'No,' and I went on home and I studied and I studied and I studied. I'm studying a lot of classical music now too because I'm pretty hip with the jazz. On my own. I wasn't studying to learn how to write from any other writers because I wanted to write a different way. Even when I wrote classical I was going to write different. So what I did was I studied very hard and things begin to develop in my mind. That was '46, '47, '48."
You can read more about Gerald Wilson's life and career at arts.gov and listen to an NEA podcast with Wilson and fellow Jazz Master Roy Haynes.
It is with great sadness that the National Endowment for the Arts acknowledges the passing of trumpeter, composer, arranger, bandleader, and educator Gerald Wilson, recipient of a 1990 NEA Jazz Masters fellowship, the nation's highest honor in jazz. Gerald Wilson's use of multiple harmonies is a hallmark of his big bands, earning him a reputation as a leading composer and arranger. Wilsons fiery method of conducing his orchestras, even into his 90s, was always a highlight of his live performances. His band was one of the greats in jazz, leaning heavily on the blues but integrating other styles. Wilson continued to compose major works into his 90s, including Monterey Moods, which was commissioned for the 50th anniversary of the Monterey Jazz Festival and supported through an NEA grant.
In a 2006 interview with the NEA, Wilson described his education as a composer:"Well, after I went through all of the different phases of music that I wanted to write -- I wanted to write for other artists, singers, and I wanted to write for the movies, wanted to write for television, and eventually my ultimate goal at that time was to be able to write for symphony orchestras. My band was very successful during this period. It was 1945 and '46. I had made my first records and I had been very successful with them and I was out on the road. Actually, at the time that I decided that I was going to stop to study some more, Ella Fitzgerald and I were a team. We were playing in a big nightclub in St. Louis together where we broke all records together. And so it was there that I realized that I'm booked way up. I'm booked up for about a year and money that I had never thought of, you know, $100,000 worth of contracts, and I said, 'This is not it. I want to go somewhere else.' And I said, 'The only thing that's going to get me there is to start studying again.'
"So that's what I did. I disbanded my band after that engagement. Everyone said, 'Well, you know, Gerald, he's kind of flaky, you know, and everything, he's crazy or something.' And I said, 'No,' and I went on home and I studied and I studied and I studied. I'm studying a lot of classical music now too because I'm pretty hip with the jazz. On my own. I wasn't studying to learn how to write from any other writers because I wanted to write a different way. Even when I wrote classical I was going to write different. So what I did was I studied very hard and things begin to develop in my mind. That was '46, '47, '48."
You can read more about Gerald Wilson's life and career at arts.gov and listen to an NEA podcast with Wilson and fellow Jazz Master Roy Haynes.
- bluenoter
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Re: Great Icon Gerald Wilson RIP
Mike Schwartz wrote:Statement issued by the NEA on the passing of Gerald Wilson
A link to the statement at the NEA's website (it contains links and is accompanied by a photo):
http://arts.gov/news/2014/statement-death-nea-jazz-master-gerald-wilson
- Ron Thorne
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Re: Great Icon Gerald Wilson RIP
I was off-the-grid in the Alaskan wilderness for 24 hours, and this is one of the 1st bits of meaningful news I saw upon my return. I wish I hadn't.
What a talent. What a mentor. What an elegant, gentle man. What a legend. What a loss.
I've always loved Gerald Wilson's music. He had a sensibility, a touch like no other.
R.I.P., Gerald Wilson ~
What a talent. What a mentor. What an elegant, gentle man. What a legend. What a loss.
I've always loved Gerald Wilson's music. He had a sensibility, a touch like no other.
R.I.P., Gerald Wilson ~
"Timing is everything" - Peppercorn
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