Evan Parker - Two nights @ The Stone
Posted: September 23rd, 2013, 8:29 am
very fortunate that I was able to attend Wed & Friday night - and very happy that my wife joined me for BOTH nights which was unexpected.
Soem of this has been posted elsewhere but I wanted to add a few thoughts for this board if there is anyone interested.
Wed night:
Evan Parker, John Escreet, John Hebert and Tyshawn Sorey
Duets first set ending with a appetite enducing short quartet piece. Since they knew this quartet peice would be short - maybe it ended up being around 7 to 8 minutes, the *band* hit their stride very quickly for this sort of music and was very intense and inspired for such a short piece played by a quartet that had never played together before.
Evan stuck to tenor saxophone for the first set.
Highlights of the duets was Hebert with Sorey - which followed the opening Escreet Parker duet. Then the duet was Parker with Hebert and then a stunning duet with Escreet and Sorey followed by a very intense drum-tenor improvisation which featured Evan really starting to warm up.
Second set a mind blowing awe inducing 50 minute performance by the quartet ranging from very quiet passages to intensity unseen in other musical worlds.
Very very glad I overcame my little cold and irritation to experience brilliance from all four musicians with the giant of the saxophone in absolute prime life changing wall melting form.
Biggest surprise was how great the drummer was. With just a snare and the bass drum with cymbals. Like he had played with Evan for years. Also glad that my wife at the last minute decided to go so she could experience seeing the legendary saxophonist for the first time
After the show Evan thanked the group for allowing him to join them.
Will not forget this show ever.
Friday night:
the second set Evan with Sylvie Courvoisier - was one of the singular nights of improvisation in the history of such things.
Half way through the second set Evan picks up the straight horn and it goes - thin to the thickest rich circular breathing excursion that exists in this world. Sylvie gets in through the inside of the piano and by the time the 20 minute piece ends, Evan pinched, finessed the tiniest and most direct and precise sounds out if that horn.
Best I've ever heard him. And that pianist.....Lordy Lordy
And my wife loved it so for those not ready, give yourself a break and listen
My wife asks me. Do they prepare? How do they know what to play?
Well we all will never know.
Evan was almost Ben Webster at the end if the first set and then he is beyond Evan or Trane on the tenor during other portions effortlessly going from circular to that shit he plays that is unplayable by all other tenor players and its all of a piece. And the second set he plays 50 minutes straight except for a two minute coda by the pianist half way through the four piece set. And yet none of it is for show. Extreme intensity and energy levels beyond fucking realistic.
How do they prepare?
Music played like this is prepared through a lifetime. Life lived. Wisdom through dedication and love.
Btw Mat was gorgeous with no pick up and just enough of his sound came through. No ego yet no deference to great man - just respect and beauty.
Soem of this has been posted elsewhere but I wanted to add a few thoughts for this board if there is anyone interested.
Wed night:
Evan Parker, John Escreet, John Hebert and Tyshawn Sorey
Duets first set ending with a appetite enducing short quartet piece. Since they knew this quartet peice would be short - maybe it ended up being around 7 to 8 minutes, the *band* hit their stride very quickly for this sort of music and was very intense and inspired for such a short piece played by a quartet that had never played together before.
Evan stuck to tenor saxophone for the first set.
Highlights of the duets was Hebert with Sorey - which followed the opening Escreet Parker duet. Then the duet was Parker with Hebert and then a stunning duet with Escreet and Sorey followed by a very intense drum-tenor improvisation which featured Evan really starting to warm up.
Second set a mind blowing awe inducing 50 minute performance by the quartet ranging from very quiet passages to intensity unseen in other musical worlds.
Very very glad I overcame my little cold and irritation to experience brilliance from all four musicians with the giant of the saxophone in absolute prime life changing wall melting form.
Biggest surprise was how great the drummer was. With just a snare and the bass drum with cymbals. Like he had played with Evan for years. Also glad that my wife at the last minute decided to go so she could experience seeing the legendary saxophonist for the first time
After the show Evan thanked the group for allowing him to join them.
Will not forget this show ever.
Friday night:
the second set Evan with Sylvie Courvoisier - was one of the singular nights of improvisation in the history of such things.
Half way through the second set Evan picks up the straight horn and it goes - thin to the thickest rich circular breathing excursion that exists in this world. Sylvie gets in through the inside of the piano and by the time the 20 minute piece ends, Evan pinched, finessed the tiniest and most direct and precise sounds out if that horn.
Best I've ever heard him. And that pianist.....Lordy Lordy
And my wife loved it so for those not ready, give yourself a break and listen
My wife asks me. Do they prepare? How do they know what to play?
Well we all will never know.
Evan was almost Ben Webster at the end if the first set and then he is beyond Evan or Trane on the tenor during other portions effortlessly going from circular to that shit he plays that is unplayable by all other tenor players and its all of a piece. And the second set he plays 50 minutes straight except for a two minute coda by the pianist half way through the four piece set. And yet none of it is for show. Extreme intensity and energy levels beyond fucking realistic.
How do they prepare?
Music played like this is prepared through a lifetime. Life lived. Wisdom through dedication and love.
Btw Mat was gorgeous with no pick up and just enough of his sound came through. No ego yet no deference to great man - just respect and beauty.