Jazzwise Top 20 Jazz Albums of 2015
Posted: December 21st, 2015, 7:44 pm
This is a very interesting perspective from a UK-based jazz magazine.
If a learned friend informed you a year ago, dear readers, that the album of 2015 might possibly be a triple concept album by a previously unknown artist who insisted on giving the whole shebang a title so toweringly grand and top heavy it would have had the Trade Descriptions Act office crawling all over it, you would have been on the phone immediately booking said learned friend into the Priory for a somewhat extended stay. Or maybe just wrote their blatherings off as another of Kanye West’s latest god-like delusions. But 12 months is a long time in the jazz game and yesterday’s flights of fancy can be today’s building blocks of the future. Welcome then to LA-based saxophonist Kamasi Washington’s debut triple album, The Epic: a gloriously expansive, sense-tickling spiritual jazz masterpiece encompassing three CDs, 17 tunes, a 10-piece band, a 32-piece orchestra, a 20-piece choir and 172 action packed minutes (count’em) that had writer Kevin Le Gendre awarding it a 4 star recommended accolade when he reviewed it in the May issue. And judging by the colossal amount of votes the album racked up in our critics poll, he wasn’t the only writer whose block was severely rocked. The Epic is that rare thing. A brand new, musically and conceptually rich work that arrived unheralded out of leftfield and grabbed the almost universal attention of the jazz world’s forward looking brethren. An album firmly rooted in jazz’s deepest traditions that scopes out the future with brio and brain. A hugely, heart-warmingly encouraging portent in this age of shrinking CD sales and diminishing attention spans, and yes, it’s available as a triple vinyl set too. Well, what are you waiting for… Jon Newey, Editor in Chief
Kamasi Washington | The Epic on Brainfeeder
Moving from hard swing to funk to some of the digital age sensibilities scoped out by Thundercat, this is an album of progressive present day thinking that willfully acknowledges its debt to the past, as befits the ongoing relationship between the two. So if there is a sample of a Malcolm X speech it is relevant to the current political debate: There’s nothing wrong with being a Muslim. There is something very right about the premise and execution of this work. (Kevin Le Gendre)
Full story
If a learned friend informed you a year ago, dear readers, that the album of 2015 might possibly be a triple concept album by a previously unknown artist who insisted on giving the whole shebang a title so toweringly grand and top heavy it would have had the Trade Descriptions Act office crawling all over it, you would have been on the phone immediately booking said learned friend into the Priory for a somewhat extended stay. Or maybe just wrote their blatherings off as another of Kanye West’s latest god-like delusions. But 12 months is a long time in the jazz game and yesterday’s flights of fancy can be today’s building blocks of the future. Welcome then to LA-based saxophonist Kamasi Washington’s debut triple album, The Epic: a gloriously expansive, sense-tickling spiritual jazz masterpiece encompassing three CDs, 17 tunes, a 10-piece band, a 32-piece orchestra, a 20-piece choir and 172 action packed minutes (count’em) that had writer Kevin Le Gendre awarding it a 4 star recommended accolade when he reviewed it in the May issue. And judging by the colossal amount of votes the album racked up in our critics poll, he wasn’t the only writer whose block was severely rocked. The Epic is that rare thing. A brand new, musically and conceptually rich work that arrived unheralded out of leftfield and grabbed the almost universal attention of the jazz world’s forward looking brethren. An album firmly rooted in jazz’s deepest traditions that scopes out the future with brio and brain. A hugely, heart-warmingly encouraging portent in this age of shrinking CD sales and diminishing attention spans, and yes, it’s available as a triple vinyl set too. Well, what are you waiting for… Jon Newey, Editor in Chief
Kamasi Washington | The Epic on Brainfeeder
Moving from hard swing to funk to some of the digital age sensibilities scoped out by Thundercat, this is an album of progressive present day thinking that willfully acknowledges its debt to the past, as befits the ongoing relationship between the two. So if there is a sample of a Malcolm X speech it is relevant to the current political debate: There’s nothing wrong with being a Muslim. There is something very right about the premise and execution of this work. (Kevin Le Gendre)
Full story